crs ltd 005, -gray fox- is the first ep from the polish producer michal jablonski on vsk s label, following the last ep from the duo scalameriya and vsk himself. -find god- opens the release with an organic broken beat , which meet an evil cinematic voice. -post human being- is the hypnotic element of the release with a dark tribal groove. -gray fox- has a strong 4/4 kickdrum combined to a sound design high frequency scream. -phantom pain- is a madness slow beat rhythm with outstanding soundscape layers. crs ltd is really glad to welcome this amazing talent on the label.

the pale and the colourful is the first album of internazionale presented on vinyl by posh isolation after a near flood of limited tape releases both through his own remarkable janushoved label and through posh isolation. the pale and the colourful is a logical summary of internazionales work up to this point and is the prime example of the sensual synthetic meditations he has come to be known for.
the clear pop sensibility to his compositions are clouded with noises and ambiguous field recordings and it is somehow hard to really figure out if the music intends to lift us up or hold us down. what is certain is that no internazionale release up to this point reaches the level of this new album.

lph060-pack-a play / pause a1. let me jacq 0:15 1:30 volume a1. let me jacq a2. one more time a3. movin kinda funky a4. don t wanna stop a5. war funk feels b1. java harem b2. never say never b3. just wanna play b4. make me feel good b5. bk slice artist jacques renault title bk club beats, breaks & versions label let s play house catalogue lph060 format lp dealer price £5.50 release date 20/07/2018 territory worldwide genre deep housedisco zip download audio samples & images description three years ago, a long-overdue and much-anticipated debut album from let s play house co-head jacques renault finally hit shelves, and now, the follow-up effort, the sophomore swing, arrives. if zentrum was a sprawling and aspirant full-length, bk club beats, breaks & versions is an exacting and focused rejoinder, a powerful, punchy, and succinct exposition of renault s skills and fortes. it s a deep-dive into the movements that sucked him into club music and a celebration of the inspirations that fueled his ascendance to dj and producer in his own right. what we give you here is an album of originals that have been conceived, orchestrated, and stitched together to function as a classic renault peak-hour set—classic house sounds sandwiched between hip-hop breaks and disco licks, all glued into place with his trademark full-bodied, colorful, swinging drums. the a-side has a daytime glimmer and glisten to it, a sunniness that imparts it with a distinct top-down-crisscross-through-the-city flavor. the flip is just as pumped and uptempo, but it has a rounder bottom and feels murkier, steamier, and, by extension, more late-night.

generation next returns with his 6th solo ep on the 7 days entertainment label titled phoenix. the ep opens with the song sundance kid, a tune that carries a high-spirited synth and bass throughout mixed in with a simple kick drum, high hat and snare combo. next up on side a is roseland, a cool, smooth house track from gn. a funky baseline accompanied with a warm piano, some complimentary synth and a clean rhythmic drum kit pattern. on the flip side, the first track is jungle 10.10.15. the recording used at the opening is from a voicemail received on the date 10/10/15. this track is pure memorization. the voice of a woman over a frantic high hat pattern and knocking kick drums. the last song of this 4 song ep is gold scorpion. a simple dance tune with high- energy percussion, piano, and kick drum. this dance floor mover will definitely be a favorite.

harlem s legendary disco label queen constance has long been a cult favourite among fans of underground dance music for decades. one of many labels operating under the equally legendary p&p family of imprints queen constance was operated by one peter brown, a truly colossal figure in nyc s music scene, it s catalogue still fascinates music lovers to this day. covering a wide range of styles including gospel, early rap and disco the label s output continually finds it way into the playlists of respected dj s and selectors across the globe. licky & the dream lovers massive afro-disco groove african rock is the next in a fully licensed series of queen constance rarities to be repressed. licky seems to be yet another studio group put together by peter brown in order to explore different sounds and styles. this raucous piece of uptempo, blazing disco really does the business in the dance, a truly immense club record, which is not surprising considering brown is at the helm. ridiculous funk on this one. across 2 sides we are treated to 2 slightly different versions of the cut, both equally as good, you could literally put the needle on the record, let it spin and watch it do damage. this one is an essential, a truly sought after record that commands extremely high prices on the used market when it shows up, but rarity aside, it is an absolute bomb and deserves to be in any self-respecting disco jocks bag of tricks. this is a 100% legit reissue, made in conjunction with above board distribution and the demon music group, lovingly remastered with love by optimum mastering, bristol uk.

broken district is a new label launched by the creative minds of jus jam, momla and antwan. the project is born with the idea of exploring alternative music styles that blend the influences of the label s creators, including jazz, house-music, hip-hop, funk, soul, and more experimental sounds. in order to give a global overview of the label s territory, broken district kicks-off with a series of va eps, here delivering its second volume.

nils oliver frahm + peter ray broderick = oliveray. being musical companions and label buddies for many years, it was just a matter of time until peter broderick and nils frahm would start their first standalone project together. oliveray was born during a time when both artists were living in berlin and frahm supporting broderick on tour. their debut release wonders — a nice little collection of eight musical pieces — was released on erased tapes in 2011. the vinyl release includes a download code.

very limited backstock from canada! next mega hypnotic groover on the mysterious interpret label by a top secret artist. almost 25 minutes playtime. strong limted! 180g vinyl. be fast on this one.

yogg is part of the parallax label crew and hails from tel-aviv. his techno turns your mind inside out with its long and hypotonic grooves. then comes distant echoes, another techno innovator who has landed on rodhads dystopian and the out-er label with this dark, bleak sounds.

july sees radio slave’s rekids invite britain’s renowned swayzak to the roster with a cold war themed release entitled ‘odessa calling’ ep. a name associated with quality, swayzak’s ability to retain their signature sound whilst producing across various sub-genres has cemented them a solid reputation since their humble beginnings in the 90s. their impressive back catalogue includes six studio albums and appearances on labels like k7, m_nus, curle, ellum and swayzak’s own label 240 volts, which was relaunched in 2017. originally a duo comprised of david brown and james taylor, brown has been helming the project solo since 2012. he now joins respected berlin-based imprint rekids with two inspired productions. ‘odessa calling’ is a mysterious track with hypnotic synths, mesmerising pads and enigmatic vocals that combine together to create a celestial aesthetic. on the flipside, ‘numbers station’ continues with the otherworldly feel employing shimmering percussion that wanders alongside a brooding bassline for a well refined finish to the package.

this new chicago based label is runned by steve poindexter and traxman. the first release comes also from the label heads. track a2. is an remarkeble co-production between steve poindexter and legendary armando. on b2. traxman remixed armandos -snare yo azz off-. must have - not only for all chicago house fans!

this new signatune various artist ep is something special to have in anybody s record collection! it starts off with a cosmic and trippy tune by timo called pilar , followed by ravisher an excellent warm up tune by romanian loy. litmus comes back on the label with shoelace a bouncy minimal beat guaranteed to get tired feet up dancing, and hyacin closes the ep perfectly with hayzy

night theatre is a new label from linkwood dedicated to serving dancers and djs a like.

paramidas love on the rocks imprint readies its eighteenth release, in this, the year of our lord, 2018 - the latest instalment on the ever-evolving, hard-to-define label is a decidedly non-dancefloor oriented, melancholic/euphoric instrumental number from promising lon-don/lisbon producers elles & violet.

following on from transmissions by gauss, sota and faune, ornate music is proud to welcome hotly tipped birmingham talent jayson wynters to the fold. wynters has already made a strong impression via releases on mr gs phoenix g label and dont be afraid, and now he serves up two original tracks that further shape out his deeply hypnotic approach to house music. alongside the immersive allure of wynters originals, rising talent caldera offers up a stripped back, meditative broken beat remix of ancient tones fresh from his appearance on wncl recordings late last year. the latitude ep is a natural fit for ornate, giving wynters and caldera free reign to show off their uniquely mesmerizing styles of contemporary house and techno.

the whiskey pickle crew turn their attention to a new partnership from steve cobby and laurie welton, the former being known for decades of djing, label management and producing alongside the likes of stephen mallinder for throne of blood. here the emphasis, as expected with whiskey pickle, is on disco with a slight leaning to the left. -absolute- is a bubbling jam laden with illustrious threads of melody, cosmic in nature but still rooted thanks to a rock solid rhythm section. -limoncello- is a more introspective affair that works with minor chords and a more intricate set of drums, but don t be fooled the groove is very much still intact. new york duo whatever/whatever bring a tougher dynamic to -absolute,- dialing in some beefy beats and amping up the synth touches for a surefire house heater. played by

homage returns for their fourth release with the debut ep from irish playboy kettama. the galway native is quickly becoming irelands most exciting electronic music name, known for his hard-hitting tracks laced with old school samples and classic rave sounds. the eps highly anticipated single, body, is making waves online thanks to mall grab givin it the heavy rinse cycle, most recently to a huge crowd at lost & found festival during a b2b with mella dee and denis sulta. the eps b-side is equally as big, housing two absolute peak-hour rave weapons. kettamas bucklyn bridge ep is one hell of a debut, and what better home for it than homage, the new york city label voted most likely to sustain themselves on bodega sandwiches.

los angeles native based out of paris, onyvaa is one of europes newest techno imports. dj, producer and owner of her parisian based underground label passeport records. passeport is an outlet for her to release original productions with full creative musical freedom, gathering inspiration from around the globe. onyvaas sound consists of strong driving techno with dub influences along with an abundance of analog touches.

ploy returns for his third solo timedance record, the 14th release on the label. the london producer is in absolute banger mode for this one, finding his stride with these frenetic gunfinga-ready assaults, both as fun and playful as they are playful and rude. artwork by danielle doobay.

desroi debuts on avian. shifted s avian label returns to fore with a heady, five track offering from german producer, desroi. in keeping with the label s finely tuned aesthetic concerns, the music draws from a reduced palette – keeping the colours muted & the tone driven and direct, focusing instead on drawing out pleasing textures & subtle rhythmic anomalies via intricate use of delay and reverb, to arrive at a sweet spot between dance-floor potency & the more cerebral posits of the techno genre. tethered at the base by cavernous low end, heady drum machine programming drives the work – often married with a single warping synth motif shifting about the sonic periphery, modulated carefully across the course of the recording s run time to create both moments of heads down introspection & outright hysteria. like much of the best work on the label, the music has a diy quality that belies its complexity, but at the same time lends to its undoubted effectiveness. desroi s ability to harness the full force of such a limited collection of elements is testament to the producer s skill as an artist within the genre, creating a powerful sense of cohesion on his avian debut.

cong burn continues to exercise one of the most promising instincts for future-minded music on this, their third release. it s surprising they haven t done more previously, considering the maturity of their curation, but either way the quality remains at an all time high here, leading in with some light and liquefied 4/4 sonics from chekov before pirouetting into one of duckett s illustrious abstractions around the techno blueprint. label regular lack is back on side b with the stern and punchy -track 3,- and then haddon finishes the record off with -anabiosis,- a densely textured, slow creeping trip of a track.

after kicking off with a selection of artists pushing hard on the serious electro tip, latvian label electronic leatherette is back once again with another round of smartly chosen protagonists plying their machine funk wares. plant43 are the most established here, dealing in immaculate drexciyan funk of the most aqueous kind. gestalt is equally on killer form with ecosystem while maroje t taps up the noir mood to perfection on la confidential. jack roland s crafty osmotic potential is a smart b2 reach loaded with detail and production chops while exploring a more mysterious atmosphere in the process.

over the course of the last decade, black pepper label boss jose manuel has proved to be one of electronic music s finest contemporary alchemists, conjuring percussive, intoxicating and otherworldly musical treats for such labels as tusk wax, kinfolk, kill the dj, optimo trax and music for dreams. the genius of manuel s productions lies in the italian s ability to conjure cracking cosmic compositions out of a diverse range of global rhythms, instruments and influences. rarely has this been more evident than on his debut release for nunorthernsoul, a four-track serving of dancefloor mysticism that puts mind-altering rhythms and saucer-eyed instrumentation front and centre. track, for example, the light and dreamy wrapped sumptuous balearic synthesizer chords and melodies around gentle hand percussion and drifting zambian vocals on the sublime journey in lusaka followed by the feverish, trance-inducing african rhythms, delay-laden chants, psychedelic acid lines and jangling jew s harp motifs of intense opener journey in lusanda , a ritualistic afro-cosmic onslaught ripe for peak-time plays. if the ep opener is all about being flat on your back and staring skywards, the follow up is all about druggy, heads down sweatiness! manuel s deep love of indian music is explored on journey in mumbai , where exotic sitar lines, fluttering clarinets and echoing, densely layered female vocals rise above a thick, tabla-fired groove. it s naturally hugely evocative and atmospheric - a fine dose of emotion-rich spirituality capable of inducing hallucinations in the straightest of listeners. to complete the ep, our hero travels even further east for journey in osaka , a fittingly percussive exploration of japanese music s past and present that also includes audible nods towards the poly-rhythmic drums of west africa. it s a superb combination of traditional instrumentation, 21st century electronics, heavyweight rhythms and mood-enhancing melodic flourishes. like the rest of the journeys in...ep, it s both hugely alluring and impeccably produced

nyc based label and radio show ethereal beatbox returns with 4 fresh cuts home cooked right here in the big city by two of its natives.
side a introduces the mysterious bowery hotline - a born and bred new yorker, crate digger, and crafty producer. starting things off right with tough and slappy b’more style rhythms and an ode to saucy diva vocals, “you tha one” is sure to shake any floor into submission. track 2 brings an irresistible boom-chicka mover “fanfare track”, perfectly blending rave, house, and that sweet snap of our favorite drum break of all time.
on the flip pastel voids label don metropol (c.perez) delivers a distinctly brooklyn sound with two house, techno and hip hop infused instant classics. “we accept ebt” is a guaranteed hype constructor nodding to euphoric moments of rave and chugging rhythms of inner city life. on a more contemplative tip, perez delivers “half court”, closing the ep with a kinetic reflection of his native sunset park and its vibrant streets.

the 6th release of ville nouvelle, music for five post cards brings together five artists from across the globe, both old and new to the label. the compilation materialises as a musical ballad, 40 minutes long, and evoking feelings of travel and the contemplation of nature. in the continuity of ville nouvelle’s exploration of music and graphic design, each track is transformed into a respective postcard by the french artist alexis jamet, who was given carte blanche for this exercise. the project appears as a personal mosaic of evocations reflecting both in image and music a kind of international feeling.

imre kiss presents crisis 001. the budapest-based artist ushers in the next phase of the party and dj collective that has been reshaping the hungarian music landscape since its inception in early 2016. the label’s inaugural release, ad astra, represents the fruits of a collaboration that has been a long time in the making. kiss, fresh off the back of his evolutionary strangers ep on mörk, partners with compatriot norwell, who is following up a prolific 2017 – one in which helena hauff named his odd ep her favourite record of the year.

first ep on the new label binarysound, hailing from hossegor, south-west of france. three original dancefloor oriented tracks by label head antoine sy and a remix by italian master alex picone, paying hommage to sunset and/or sunrise party vibes.

a dusty detroit basement meets illegal rave in leeds. vid vai embarks on a new sci-fi episode with his second ep for the ever-growing slovenian label phi. a bleepy affair that keeps bubbling below the surface is distinguished by well-arranged harmonies and surprising plot twists. you never know whether you re sitting on your sofa or ending up on an alien dancefloor.

das neue label trojan reloaded, sublabel von trojan records, veröffentlicht mit der vinyl 7-inch single einen brandneuen track der britischen dub & reggae formation reggae roast featuring tippa irie, der vor allem durch seine beteiligung an »hey mama« von the black eyed peas weltberühmt wurde. als remixer agiert dj madd, der old school reggae mit dubstep kombiniert.

for our next excursion, we’re off to the library. in search of library records that is - you know the type, the crazy rare records used for soundtracks and such and such. we have a sick selection of synthed-up beats and pieces chopped together by one earl jeffers, making the most out of his international library digging card* (*not a real thing).
for those that don’t know, cardiff’s earl jeffers is one half of darkhouse family, regular family at our sister label, first word, on which they released their debut album “the offering” late last year. earl is a prolific producer in his own right, also releasing over the years under the aliases chesus and metabeats on labels like mcde, fat city and local talk, collaborating with artists like byron the aquarius, action bronson and kamaal williams / henry wu, turning his hand ably to house, hip hop, jungle, jazz and more. all this in addition to running his own label, mélange records.
a dedicated digger and record collector first and foremost, earl has provided us with a quadruple set of heavyweight stuttery sci-fi boom bap. in earl’s words: “this record was mostly inspired by my penchant for the more electronic / synthesized jams, mostly replayed from the original compositions then thrust in to 2028 and beyond….”

the first ep of the new born strictly street sounds is courtesy of the label honcho innocent soul.
a four-track ep made of disco elements with jackin and house influenced grooves. - vinyl only -

repress 2018 ronco traxx on the 20th anniversary editions of this classic new york house label.

breaking into a new century, following last months 100th release on the label, ishan sound collaborates on 2 killer tracks with bristol-based hodge and alex hughes aka muttley.
‘c5’ refers to cold explosives and makes for a perfect title for this stark, cold rhythm. a circling melodic synth line sets a moody context before the floor drops out and an industrial strength sub drives things forward at 130bpm. deep, hard, dark, original. exceptional quality from ishan sound and hodge.
flip for a 140bpm excursion from ishan sound & muttley, melding elements of trap, grime and dubstep meticulously to form an engaging sonic that is both fuel for the dancefloor as well as providing introspective qualities for bass weight meditation. ‘still smoking’ sums it up appropriately.

90 s electro-punk project based in chicago after janis sils emigrated from riga, latvia. self built instruments to create an trash and solid industrial sound. influenced by label wax trax! & bands like laibach, nine inch nails, front 242 ... the world of u.s.o.c.a. reflects a strong talk to military minds. something straight with no breathe. a uniting calling for masses

more leftfield techno sounds from one of the scenes more unassuming producers, a sagittariun delivers a new single stamped with his trademark sound aesthetic. the ‘fahrenheit 451 ep brings together three new productions in lieu of a new album coming later in the year. the golden apple brings together brain scrambling drums, a heavy hoover bassline, and a typically sagi style wormhole riff, whilst blue lotus throws tropical shapes around the broken beats that flourish into a rapid 4/4 stomper, with scattering hats and equatorial ambience giving a unique vibe. a sagittariun strays into disco territory on liebe tanzen, flitting between modern intergalactic synth riffs & basslines, and sampled disco drums. hand stamped 12 vinyl, limited to 150 copies - global pr and marketing campaign from hype filter re-moulded, 25 years after it was produced, for release on his elastic dreams label.

peter kadergard has been active in the helsingborg (sweden) electronic music scene since the early 1990 s. he was involved in various collaborations during the 90 s and appeared on a few cassette releases under the names grodans fodelsedag, marchentraum and mannix system. peter released his first rittowski record on the borft sub label djuring phonogram in 2004. apart from this electro project peter is a member of the bands goz mongo alliance and inyurmania, who has made a few releases on the ufo mongo, pripuzzi and skiboy record labels. this is new electro!

it is with a huge amount of pride and happiness that i get to welcome legendary producer and all round good egg liquid to the label. if liquid needs an introduction, i have to wonder what you are doing here? seriously though, he has brought an absolutely amazing ep of four brilliant tracks to the label. the truth is classic liquid piano anthem style, like a modern version of “sweet harmony”. kex and phormocide lean into old skool from various eras, and dope sick rounds the ep off with a futuristic retro amen workout, easily one of my favorite tunes since kniteforce restarted as a vinyl label. this ep is the bizniz basically. do not miss!

salsoul records have always stayed one step ahead of the game. since the labels inception in the early 1970 s the imprint s focus has been firmly fixed on presenting the most cutting edge dance music sounds and in the process the label has been instrumental in creating legends and shaping the landscape of contemporary club culture throughout the original disco era and beyond. it comes as no surprise that many of todays labels and artists cite salsoul as a fundamental influence on them and their output. the labels music has been endlessly rediscovered, sampled, re-edited and appreciated over and over again, your favourite dj s and selectors undoubtedly reach for tracks from the catalogue each time they play. this is why salsoul continue to collaborate with the best labels and artists out there today.

seth troxler continues to showcase the work of chicago great k’alexi shelby: after an ep on his other label tuskegee music and a remix for sean miller on this imprint, shelby now steps up to play it say it with a trio of excellent club cuts. k’alexi shelby is one of the windy city’s most venerated heroes. he’s put out six albums and almost 60 eps since the late eighties, all of which have helped evolve and establish the chicago house sound around the world. next to remixing acts like the pet shop boys and derrick may, he runs his own k klassik and 321 labels and remains as vital as ever. the perfectly titled ‘groove with us’ opens up with a cut and paste style, funky disco loops and plenty of filters all bringing the loose house funk. it’s a playful and timeless tune that is designed to blow up the ‘floor and most certainly will thanks to its unbridled energy. the dynamic and driving ‘so chicago’ then slips into a slick house groove, with great percussion, more big string samples lighting up the track and a knotted bassline that keeps you on your toes. suspenseful and explosive, it’s filled with authentic party vibes and a real sense of fun that will ignite any set. last but not least is the excellent ‘black sunday’, which takes uplifting preacher vocals from a church sermon and backs it with gospel singing, an old school baseline and raw energy that will get hands in the air. it’s a definitive piece of authentic house music with real heart and soul. this is an expressive ep of house tracks that embody the instinctive and emotive spirit of the genre to perfection.

“territory iii” should have been the next release on tÉnÈbre’s self-titled artist label. however, as soon as the promo landed, the cassette library went on a shameless beg, borrow or steal mission and we are now proud to present wncl032 – a mind-blowing 4 track ep that successfully blends bass, breaks and techno, peppered with tastefully positioned ambient twists in just the right measure.

rod modell returns as deepchord for his first solo release on astral industries since inaugurating the label with his sought-after ‘lanterns’ ep. consisting of two stunning long-form pieces split on one side each, immersions¿ captures the emotive, halcyon sound that rod has long become synonymous with. opening with glistening ambient textures, ‘immersion i’ grows into an 18-minute piece of deep rolling dub techno. on the other side ‘immersion ii’ paints pristine soundscapes of soft, lapping waves, underpinned by submerged pulsations that rise to the surface to continue its deep space explorations. two highly refined and inspiring tracks that sit on the apogee of this sound.

the label’s latest offering comes from hamilton himself, who teams up with panick panick! label owner noha, offering a collaborative ep that is a fitting snapshot into the work of both individuals. the nohamilton ep gets underway with ‘lip service’, a rough-and-ready track with firm emphasis on a grinding, hypnotic loop that easily surpasses your average dj tool. highly finessed and progressing steadily, it’s the perfect example of how to do less with more. looking towards more sun-kissed planes, the duo deliver the ep s a2 track, a more heads- down cut that’s loaded with good-time grooves from the get go. sure to work a charm whenever it’s unleashed, ‘bored of life’ serves up an intriguing insight into both producers’ boundless studio output. romanian duo sit culminate matters with their ‘lip service’ rework. consisting of cristi cons and vlad caia, the pair have been excelling consistently, with both their resident advisor mix and latest release on the iconic sushitech label proving a potent reminder of this. taking the listener down the rabbit hole once more, they inject archie hamilton & noha s original with an eerie sheen, also adding an off-kilter baseline that’s hard not to get lost in. a suitably groove-led but unconventional interpretation, it closes off the ep with the sort of distinction we’ve come to expect from moscow.

the next release on leading french label zone is a very special one indeed from long time friend of the label and pioneering electro figure kittin, the artist formerly known as miss kittin. her standout original comes with an equally impressive remix from truncate. a long time stalwart of the electroclash scene who has put out many seminal singles, kittin has famously collaborated with the hacker and felix da housecat and mixed up new wave and techno in arresting new ways for decades. her albums have always been hailed as hugely accomplished and the prolific and innovative frenchwoman has worked with numerous top labels. now back once more in 2018 with her first solo single in some time, she is in fine form. her offering here, ‘eacid’, is a timeless piece of deep techno with brain melting bass and twinkling yet menacing keys. her own vocals are twisted and chopped up into wordless forms that add layers of intrigue and the whole thing is brilliantly broody. a breakdown at the mid point allows you to catch your breath as her voice refracts round the airwaves, then the icy hi hats and rumbling drums and bass land again with subtly uplifting, light emitting chords rising in the background. all in all, this is one of kittin’s most special and evocative tracks of recent times. remixing is truncate, the deep techno artist who runs a label of the same name and has released his killer wares on 50weapons. his version is more wild and flailing, with the keys becoming more manic, the drums darting about all over the place and the voice becoming more paranoid and trippy.

gorje and izhevski return to all day i dream. finally! our exotic step brothers have their own elegant and distinctive sound that carefully balances musical emotion with signature beats. equally at home on the dance floor as well as your lounge floor in your spotify playlist. nikolai has been a long time fan of peter broderick and was given the opportunity to work with him last year. he (and dimitri) took peter s vocals and created something quite beautiful, both in ambient form as well as the 4:4 version. ta da! their new ep was well on it s way to completion. seeing as i m never satisfied though i insisted they stayed up late for another week and the result was l eternite. harking back to one of their first releases (calinerie) on the label this subtle melodic bomb will be heard as the sun sets or the sun rises across the universe this summer. if you re not already aware please check out the boys label too. shanti radio is a label we at all day i dream love.

two brand new, dance floor tested reworks by label boss and classic music company recording artist eli escobar.

mineral is a vinyl-only label born out of a long-lasting friendship and a mutually obsessive infatuation with records. the label is geared towards providing a platform for up-and-coming producers, showcasing intriguing and evocative electronic music ready to stand the test of time.

vive la musique brings you an official reissue and rework of the unique and highly sought after zouk track tabala mouv . the song is is the standout composition from the ultra-rare tabala series, released on vinyl in the mid 80s. after many months of searching, label head aroop roy managed to track down songwriter and producer, maurice agad, to the caribbean island of martinique. the 12inch includes the original track and two brand new versions, making a special package that many are touting as one of the soundtracks of the summer. in the original, detroit-esque keys and a balearic beat captivate you from the opening bars and uplifting vocals and a euphoric horn section combine to transport you to an idyllic paradise. aroop roy steps up the tempo and flips the groove for a trademark rework that will have universal appeal to house, disco and tropical music fans. the release is made complete with a subtle extended edit from truccy. the package is presented with beautiful full cover artwork, limited to the first pressing, which is likely to go very quickly.

after the launch of her own label, frizner electric, ladymonix takes another step forward with her debut release. the opener & title track bc i want to is a deep and sensual body mover, anchored by empowering vocal samples that make no apologies. . the mood cascades from curiosity into downright permission. know what then takes over with a potent house beat and more strapping vocal cuts. the temper of this track begins liberating and lush, spiraling into a mirage of uplifting sounds for the final 3 minutes. tying the threads of the ep into a final knot is in flight, a soaring track that blends the energy of an evening into the power of the night. charming and eccentric beats run smoothly from takeoff to landing, making for a steadily blissful atmosphere. overall, bc i want to is a divisive house recording that can be admired from the dancefloor & from the bedroom alike.

swedish producer tiger stripes, the alias of mikael nordgren, brings his techno touch to hot creations for his debut ep on the label this summer. jack my yum is a heavyweight three-parter that sees the swede invite hot creations stable mate, matt tolfrey, to provide a stellar remix. opening track jack my yum is a warped and heavy roller with a smattering of dark vocals. haunted brings with it a bass that you can feel reverberating off the concrete walls of a darkened club, interspersed with an eerie melody. following his recent release americas on the label, leftroom records boss matt tolfrey brings his groove and a bouncier bassline to proceedings with his version of the title track. dunjacka completes the ep, with nordgren sewing together a techno beat with broken vocal stabs, underpinned by a throbbing groove throughout. tiger stripes has collaborated with legendary names such as kerri chandler, adeva, leroy burgess, riva starr and jerome sydenham, with his brand of deep and futuristic techno seeing releases on some of the underground’s biggest imprints including desolat, drumcode and cajual.